20th Annual Twin Cities Arts Crafts Show 2019

The 21st almanac Twin Cities Jazz Festival volition be headlined this year by vocalizer José James, vocalist Nnenna Freelon, the James Carter Organ Trio, saxophonist Grace Kelly, and bandleader and multi-instrumentalist Aurora Nealand with Tom McDermott, and more.

The announcement was fabricated today by the festival's executive manager, Steve Heckler. "I'm excited to have these great national jazz musicians at Jazz Fest this year," said Heckler. "With all the support we get from our sponsors and the community, we're able to bring in slap-up local and national musicians and to go along our festival free for anybody."

With generous back up from sponsor and partner AARP, the three-day festival, gear up for June 20 – 22 in and effectually Mears Park in Saint Paul's popular Lowertown arts commune, will include headline acts on the Hiway Federal Credit Union Mears Park Main Stage, Xcel Energy'due south Jazz on fifth Street Stage, the Larry Englund Memorial Youth Stage sponsored by Thrivent Financial Marriage Depot Stage, and the phase at TPT likewise as performances in nearby clubs, bars and studio venues.

The weekend volition kick off on Thursday, June xx in partnership with Lowertown Sounds for a dark of celebrating Cuban music by Mayito Rivera with Charanga Tropical and Jorge Luis Pacheco.

Friday continues with young saxophonist/singer Grace Kelly, and Minneapolis-born, New York-based vocalizer José James; Saturday has Israeli percussionist/pianist Yogev Shetrit, Detroit-born reedman James Carter, 6-fourth dimension GRAMMY Award nominee, vocalist Nnenna Freelon on the Hiway Federal Credit Union Main Stage in Mears Park. Festival attendees can wait forrad to music throughout the night in Lowertown clubs and restaurants all three nights of the Festival

Mayito Rivera with Charanga Tropical
Cuban vocalist Mayito Rivera will be making a rare North American appearance with Twin Cities-based 11-piece ensemble Charanga Tropical, atomic number 82 by saxophonist/flautist and composer Doug Picayune. Rivera is maybe best known for the 20 years he fronted Los Van Van, 1 of Cuban's almost acclaimed and recognizable salsa bands. Since leaving that ensemble, Rivera has spent the meliorate part of the final decade focusing on his solo career, whether performing traditional bolero or son music, or his own compositions emphasizing upbeat rumba rhythms. Charanga Tropical's repertoire typically draws from famed Cuban composers like Cachao Lopez and Orestes Lopez, as well as the Great American Songbook. Their unique arroyo to the traditional Danzon music, an invigorating alloy of tango and Cuban grooves has drawn accolades throughout tours of the Midwest for over a decade. Th, June 20 at 6:00 p.m.

Jorge Luis Pacheco
Representing the vanguard of the younger generation of modern Cuban jazz, Havana native and pianist Jorge Luis Pacheco has received enough of disquisitional acclaim over the past decade, including at the International Piano Contest in Montreux Switzerland in 2014. Pacheco's charismatic blend of traditional Cuban music, with the more than extroverted extrapolations of frontwards thinking Cuban jazz has won over fans effectually the globe. To engagement, Pacheco has recorded 3 sessions every bit a leader, each of which demonstrates his fiery technique and boundless dexterity. Th, June twenty at 8:00 p.g.

Teen prodigies have been infiltrating the jazz scene for years, including the likes of Miles Davis and Lee Morgan, yet, the New England-born alto saxophonist/singer Grace Kelly'south debut was released when she was 12 years sometime. Before she was out of her teens, Kelly co-lead sessions with alto nonpareils Lee Konitz (2008's Gracefullee) and Phil Woods (2011'southward Man With The Chapeau), more than than holding her ain with these titans. Now in her mid-20s, Kelly continues rapid ascension, recording over a dozen albums under her own name, and appearing regularly on the house band of The Belatedly Testify with Steven Colbert, nether the leadership of Jon Batiste. Kelly'southward near recent projects, Get Time: Brooklyn Volumes 1 & 2 find the young saxophonist reconciling her love of traditional jazz with her desire to accomplish larger audiences through an ambitious hybrid of high-energy pop, funk and electronics, replete with upbeat visual elements incorporating trip the light fantastic toe and choreography. The seemingly tireless Kelly has also composed numerous acclaimed scores for television, film and documentaries, including 2014'south The Sound Of Redemption: The Frank Morgan Story, a less heralded, just no less of import influence on her alto playing. Friday, June 21 at 6:30 p.thou.
José James Celebrates Bill Withers. Jones defies convenient categorization every bit a quick listen to whatever of the nine full-length titles released since his 2008 debut The Dreamer might suggest. Instead James' recordings suggest a restless spirit every bit interested in paying homage to his influences, equally he is in forging a new path by introducing disparate elements of hip-hop, neo-soul, and classic funk. From covering Rahsaan Roland Kirk on his debut, to 2015's tribute to Billie Holiday Yesterday I Had The Dejection, to terminal twelvemonth's Neb Withers inspired Lean On Me, James does not only interpret the fabric, but infuses his own musical postage stamp on it. Regardless of stylistic choice, James is a smooth baritone with great musical intuition and taste, able to evangelize a song in a manner that manages to be simultaneously intense and intimate, harrowing without beingness cloying, and always provocative. Friday, June 21 at eight:30 p.grand.

Israeli percussionist/pianist Yogev Shetrit has been active on the world fusion music scene for the past twenty years, the majority of which was spent in the funk and hip-hop ensemble Coolooloosh. In addition, Shetrit worked primarily equally a sideman, recording numerous sessions and performing extensively in collaboration with traditional Israeli ensembles. Shetrit too had an opportunity to work with Cuban piano legend Chuchito Valdez'southward ensemble when he toured Israel. More recently, Shetrit chose to focus on his own compositions, finally forming his own trio in 2015, followed shortly by their debut recording, 2016's New Path. The trio's music astutely weaves elements of contemporary jazz and difficult bop, stylishly incorporating Eye Eastern and North African influences. Sabbatum, June 22 at 4:00 p.thousand.

In the early 90s, Detroit-born reedman James Carter announced his inflow on the jazz scene in a big way, not only for the virtuosic playing on his debut JC On The Set (1993), but for the ease in which he and his group switched musical direction on stage. His working quartet at the fourth dimension, which included Minnesota's own Craig Taborn on piano, could go nestled into a tender ballad one moment, and lost in an audacious, flammable force the adjacent. In the ensuing years, Carter, now 50, would release nearly 20 more recordings, from the Django Reinhardt inspired Chasing The Gypsy (2000), to the adventurous open-ended all-star grouping found on the live Sky On Globe (2009). Carter'south current touring vehicle is his decade-plus association with beau Motor City jazz veterans Hammond B-three Organist Gerald Gibbs, and drummer Leonard King, Jr. To date, the Organ Trio has released three recordings which neatly summarize the musical amalgamation that is Carter; difficult-grooving, steeped in tradition, yet furiously idiosyncratic. Saturday, June 22 at 6:00 p.k.

Six-time GRAMMY Award nominee, vocalist Nnenna Freelon received her first major musical interruption when pianist Ellis Marsalis recommended her to Columbia Records after working with her in the early 90s, leading to her self-titled debut in 1992. Since that time, the smooth-toned Freelon has gone on to become one of the most consistently respected singers of the by 25 years, releasing a dozen critically acclaimed recordings including 1993'southward carol driven Heritage, 2000'south gospel-influenced Soul Call, and 2002'due south daring Songs of Wonder, a tribute to the inimitable Stevie Wonder. Freelon is also no stranger to theatre and film, including being featured writer, composer and producer of The Clothesline Muse, a multidisciplinary product that incorporates elements of music, art and spoken word. Saturday, June 22 at 8:30 p.m.

And, on tpt's Street Infinite Stage: back by popular demand afterward their stellar performance at concluding yr'south Twin Cities Jazz Festival, saxophonist, clarinetist and vocalist Aurora Nealand will be joined by Tom McDermott. Ms. Nealand has become a prominent force within the New Orleans jazz community since arriving in 2005. While most recognized for fronting her traditional jazz band, The Majestic Roses, the musically restless Nealand is involved in numerous other projects, including a rockabilly group, her solo project The Monocle, and endeavors in the improvisational music scene. Her 5 recordings every bit a leader propose a playful, versatile musician that wishes to celebrate the past, while too keeping a corking eye on the time to come. I of the Crescent City'southward most revered and sought-after pianists since making it his domicile in the mid-1980s; Tom McDermott has been a prolific purveyor of the New Orleans sound, having recorded nearly 20 recordings under his name. A thoroughly entertaining pianist steeped in tradition, McDermott is every bit comfortable playing the music of Jelly Scroll Morton or one of his own crafty compositions, which depict on his dazzling dexterity and innate sense of swing. tpt'southward Street Space Phase, Sat, June 22 at 2:00 p.m.

Th, June xx
PARTNERSHIP WITH LOWERTOWN SOUNDS (MEARS PARK)
6:00PM Miyato Rivera with Charanga Tropical
8:00PM Jorge Luis Pacheco

Friday, June 21
HIWAY FEDERAL CREDIT Matrimony MAINSTAGE (MEARS PARK)
four:00PM Roy Hargrove Tribute
6:00PM Grace Kelly
eight:30PM Lean On Me: José James Celebrates Neb Withers

XCEL ENERGY'S JAZZ ON 5TH STREET (MEARS PARK)
v:00PM Salsa del Soul
vii:15PM Jack Brass Ring

LARRY ENGLUND MEMORIAL YOUTH STAGE SPONSORED By THRIVENT Fiscal (UNION DEPOT)
iv:00PM Hosted by the Minnesota Jazz Educators
5:00PM Jazz Effectually Minneapolis (JAM)
6:00PM Apple Valley High School R&B Band
7:30PM Joan Hutton Jazz Project

Saturday, June 22
HIWAY FEDERAL CREDIT Spousal relationship MAINSTAGE (MEARS PARK)
two:00PM New Audio Underground
4:00PM Yogev Shetrit
half dozen:00PM James Carter Organ Trio
8:30PM Nnenna Freelon

XCEL Free energy'S JAZZ ON 5TH STREET (MEARS PARK)
iii:00PM Gypsy Mania Hot Gild Quartet
5:00PM Selby Ave Brass
7:15PM Maryann and the Money Makers

LARRY ENGLUND MEMORIAL YOUTH STAGE SPONSORED BY THRIVENT Financial (Marriage DEPOT)
Hosted by Minnesota Youth Educators
1:00PM Joe's Jazz Army camp
ii:00PM Walker Due west Philharmonic
3:00PM Experience Jazz Combos i,2,three
4:30PM Dakota Philharmonic
5:30PM High School for Recording Arts SXSW Operation Group
vii:30PM Adam Meckler Orchestra

Near the Twin Cities Jazz Festival
Twin Cities Jazz Festival, established in 1999, is a non-profit organisation, with a mission to keep the fine art form of jazz alive and well in our community. Save the date for the 2019 Twin Cities Jazz Fest, June xx – 22, 2019.

For more data, visit TwinCitiesJazzFestival.com, or follow us on Facebook, Twitter and Instagram. #tcjazzfest

Musicians and schedule subject to change. The entire line-up, data on VIP tickets and boosted festival details will exist released in May.

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Source: https://www.twincitiesjazzfestival.com/twin-cities-jazz-festival-2019-headliners-announced-21st-annual-festival-set-for-june-20-22/

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